| Being
Morons, a self proclaimed
not-taking-ourselves-too-seriously band, when our
drummer was unable to get away from his day job
to perform in Liverpool, the idea of bringing him
along on a CD made perfect sense. We went into a
studio, slightly better than the closet where we
recorded the original Moron's demo, and Gary
"B-Wom" Vacha laid down his
contribution to the band's 21 song set list. From
there on, for the entirty of the Liverpool
experience, Gary on CD became known as the
"fake drummer". It is
interesting to play along to a "fake
drummer". He became a character in his own
right, and over the course the week we praised
him, scolded him, fired him, and once even blew
him up (spontaneous combustion - ala Spinal Tap)!
Being
sure to live up to our name, the Yellow SubMorons
arrived in Liverpool 30 minutes after our first
gig had ended. We tryed, but found traveling back
in time to be impossible, so instead we found the
fellow in charge and let him know we'd be unable
to make that show. To be fair, the band had never
been told we were scheduled to play at that time.
It was only when we picked up and read through
our band packet that we noticed two
"suprise" performances. The real
suprise was for anyone who had gone to the Caven
that afternoon to see some
Morons..."Suprise, we aren't even in town
yet!" In any case, having missed our own
show, the evening was free, so we wandered about
Liverpool taking it all in.
By
this point we'd given up on finding all the
famous Rutle sites, having come to the sad
realization that they are indeed fiction :) . In
Hamburg (where we were hanging out, missing our
"suprise gig"), we looked for the
Ratskeller, finding only the Kaiserkeller (where
the Beatles once played) and the Rathaus (the
townhall). As luck would have it, however, we did
find one of the original rats lurking about the
London tube. Also fortunate, Nicole, as Stig
O'Hara, had the opportunity to cross Abbey Road
trouserless.
The
next afternoon was the first of our performances
we actually attended. From there we did a total
of 8 shows in 5 days. The drummer managed to
screw up at least once in evey show...sometimes
he'd drum too fast, or too slow, or not loud
enough. Surely it was all his fault when those of
us on stage found ourselves not quite on his
beat. There was that occasion when he must have
been up too late the night before, hanging out
with the DJs at the 80's dance club up the street
from the Cavern. The next morn we hooked him up
and began to play, when suddenly he skipped
(hic-cup). "Stop the drummer!"
"Stop the drummer!" We completed the
song without him. "Shall we try again?"
Well, after three songs it became clear our
"fake drummer" was too far gone to make
it through the show. Someone in the audience
called out "Can the drummer!" With the
drums out of the mix, the audience became part of
the band. We shared our tamborine and gave out
toy instruments. The crowd clapped and banged the
tables. They were wonderful...thank you to all of
them.
It
was on the stage at the Cavern back where our
"fake drummer" self combusted. He had
some sort of trouble dealing with the difference
between the electric current in England and
American power. So the black box that we'd been
using to control the drummer was reduced to a
useless paperweight. We can deal with that...just
give the CD to the soundman to play from the
boards. Unfortunately, our high-tech player was
designed such that the CD inside could only be
released when the player was set to on, and such
a setting is impossible when you've just blown up
your "fake drummer". Eventually we were
able to rescue the drummer from his prison, but
unable to control him from stage, each track had
to be announced aloud to the soundman, and thus
the entire audience. This became our program
guide to the set list, "for those of you
following along, we will be skipping track 5 and
moving on to track 6...okay drummer, count us
in."
There
was one show where we didn't even try to use the
drummer. Upon entering the venue, we learned a
few bands prior to us, the sound system had
essentially been blown up (must have been hanging
with our drummer), so everything sounded as
though it was being projected through a
megaphone. We had a hard enough time staying
together with ourselves, so we didn't think we'd
have much of a chance keeping with a tipsy
drummer, who would have sounded like he was
playing a set of kitchen-ware. In any case, that
night we felt like "Rut-talica".
Overall,
we had a fantastic time and wonderful
exerperience. The nice thing about being
SubMorons is that if something goes arye it must
be due to your moron....uh....moronity? It is an
amazing feeling to stand on the stage at the
Caven Front and see the crowd the same way the
Beatles did way back when. You'll have to ask
Gary if he got the same sort of rush being played
on CD in that room. At the end of our last Cavern
show, for the first time in the history of this
band, every name was announced in it's proper
form, that is Jim was introduced as "Jim
Hondros" not the usual "Jim
Nasty". Even the name "Gary Vacha"
was given credit as our "fake drummer".
It seemed fitting that eveyone would be properly
acknowledged on this stage...even if it also made
for the first serious moment in the history of
the band.
So
from this experience we have learned the
following (that's right, even Morons can
learn)....
1. Be prepared for anything. You may sound like
Morons, or Rut-alica, or (who knows) Chipmunks?
2. Make friends with other bands, they can warn
you about strange sound conditions (thank you
Penny Lane).
3. If you wish to perform with a fake drummer,
chose a battery powered one such that you do not
blow him up.
4. Don't allow your fake drummer to have too much
fun the night before a gig.
5. Just in case, always have an "understudy
drummer" in the wings
6. If all else fails, ask the audience to join
the band...they are really good.
7. Don't look too hard for those famous Rutles
sites...you'll never find them.
8...and most importantly...be a little silly and
have alot fun...that's the key to doing the
Rutles a proper tribute.
|